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External Bass Drum Muffler vs Felt Strip Last viewed: 2 hours ago

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I currently have a felt strip on both sides of my Rogers bass drum. I like the sound but it makes it a lot harder to tune. Then I saw a picture of Earl Palmer using one of those vintage external bass drum mufflers and it got me intrigued.

How do these compare soundwise to felt strips? do they mute it more/less? more effective?

I really like the idea of being able to adjust the amount of muffling and not having tuning problems.

cheers!

Posted on 8 years ago
#1
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It may not be the popular opinion 'round these parts, but all of the major head companies make GREAT self-dampening heads. I use an Evans EMAD on my kick drums with any kind of reso head, and they are punchy, boomy, and easy to tune. I don't use any other muffling.

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"I've met cats and dogs smarter than Cory and Trevor."
Posted on 8 years ago
#2
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From DrumOgre

It may not be the popular opinion 'round these parts, but all of the major head companies make GREAT self-dampening heads. I use an Evans EMAD on my kick drums with any kind of reso head, and they are punchy, boomy, and easy to tune. I don't use any other muffling.

I agree, EMAD user here too, and love it, nothing on the front head. I have no experience with the clamp-style external muffler, but I would think that it would be easy to adjust to the sound you wanted based on what I can see of it. I'm sure you will have others here telling you a felt strip is the only way to go. But my grandpa always told me to watch out for guys that start a sentence with "The only way to do..." :D

65-73 Ludwig orphans 22/16/15/13/12 (silver sparkle rewrap)
1967 Ludwig Supraphonic 5 x 14
1976 Ludwig Acrolite 5 x 14
1966 Ludwig Pioneer 5 x 14
66-'67-ish Slingerland orphan project 20/13 (original champagne sparkling pearl)
Mid-60's Slingerland Gene Krupa COB Sound King 5 x 14
Mid-50's Slingerland tenor-to-floor tom resto/conversion project
Early 50's Slingerland Marcher resto project
Pork Pie 6.5 x 14 Big Black
Zildjians
Posted on 8 years ago
#3
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I always wondered why more drum companies didn't put mufflers (like on toms)on bass drums like Premier did. Are their others? Anyhow, I have used Emad on my non-vintage drums. They are great. Never considered it for vintage ... hmmm

-Doug

late 60s Ludwig Standard kit (blue strata)
late 60s Star kit (red satin)
Tama Rockstar Custom
a few snares ...
Posted on 8 years ago
#4
Posts: 176 Threads: 7
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I've never used the EMAD head (I've had an EQ3 on my kick for eons), but I've heard stories of the muffling ring coming loose after a few months of use. Anyone have any experiences like this?

Vintage kits:
1969 Rogers Holiday - black diamond pearl (20/16/13/12)
196x Star (Lyra/Majestic) - blue sparkle pearl (22/14/13) Restoration Project
1987 Pearl KC-3500 - jet black (22/16/13/12)
Not-so-vintage kits:
2007 Hart Dynamics Professional 6.4 e-kit / Roland TDW-20
Snares:
60s Gretsch 5x14 maple WMP / 68 Ludwig 5x14 Supraphonic / 93 Pearl 3x14 Free Floating brass piccolo / 60s Star (Lyra) 5x14 luan blue sparkle pearl / 87 Pearl 6.5x14 steel
Posted on 8 years ago
#5
Posts: 771 Threads: 132
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From sandwell

I currently have a felt strip on both sides of my Rogers bass drum. I like the sound but it makes it a lot harder to tune. Then I saw a picture of Earl Palmer using one of those vintage external bass drum mufflers and it got me intrigued. How do these compare soundwise to felt strips? do they mute it more/less? more effective?I really like the idea of being able to adjust the amount of muffling and not having tuning problems.cheers!

Emad on batter and coated emperor on the reso side. No felt needed. External mufflers are cool though especially on an old Rogers BD.

Keep fixing them up...
Posted on 8 years ago
#6
Posts: 3467 Threads: 116
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I have used both felt strip and Emads.

The Emads that I now use sound not a lot different to what I had created back in the '70s... by utilising self adhesive foam air seal around the inside of the batter head..

Cheers

John

'77 Slingerland 51N,Super Rock 24,18,14,13.. COW 8,10 Concert toms
'69 Slingerland Hollywood Ace
'75 Rogers Dynasonic 6.5 x 14, 10 lug COB
'77-78 Slingerland 6.5 x 14, 10 lug COB
'78-79 Slingerland 5 1/4 x14 8 lug COB
'79 Biman 5 1/4, Acrolite
'82 Slingerland 5 1/4 x 14. Festival COS
'84 Tama MasterCraft Superstar 6.5 x 14, 10 lug Rosewood
'98 Slingerland (Music YO) 6" 10 Lug Maple.. NOS
Zildjian, Sabian , UFIP & Paiste mix.
Posted on 8 years ago
#7
Posts: 1296 Threads: 208
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From shortyedwards

I always wondered why more drum companies didn't put mufflers (like on toms) like Premier did. Are their others? -Doug

Gretsch Pratt Muffler, works great and is still available...Coffee Break2

Never play it the same way once.
Posted on 8 years ago
#8
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From Vater

I've never used the EMAD head (I've had an EQ3 on my kick for eons), but I've heard stories of the muffling ring coming loose after a few months of use. Anyone have any experiences like this?

I've had at least a dozen of these heads and I've never seen one fail. I recommend EMADs for any kick drum. They make tuning so easy and they sound great. And they do have a coated model for a slightly more vintage look.

------------------------------------------------
"I've met cats and dogs smarter than Cory and Trevor."
Posted on 8 years ago
#9
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Of course, I'm speaking about drums that are to be regularly played. If I'm displaying a vintage kit more than I play it, era-appropriate heads are cool. But if I'm taking it on gigs and rehearsals twice a week, I take advantage of all those years of bd head innovation :)

------------------------------------------------
"I've met cats and dogs smarter than Cory and Trevor."
Posted on 8 years ago
#10
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