well i have a personal experience in 1971 my ol k's were stolen( i think the old land lord did it ) with my gretch jazz kit i walk in a pawn shop and there they were it look like someone took a sledge to everything i just walked away disgusted and busted never looked back keep moving forward so when some one says there going to hammer thats the pic i get, PLAIN GROSSES ME OUT sorry i think thats what will happen if you try....
Hammering cymbals yourself Last viewed: 3 hours ago
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp
once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
http://www.cymbalholic.com/forums/
Try not to practice on ziljians unlees they are zbt's :)
About 35 years ago when I worked in automotive research center I've tried то modify a sound of old thick brass soviet cymbal by ECKOLD hydro-hammer tool ---similar as in modern video.
The result was not so bad .
George.
To my knowledge, there are a handful of cymbalsmiths who take either raw blanks or production cymbals and alter them to their liking.One, and an astounding one at that, is Matt Nolan. He also appears to have a pretty solid sense of humor as evidenced in some of his videos - example:http://youtu.be/YwQzEN7OM3Ehttp://www.mattnolancustomcymbals.com/There is also Heather Stine - she only has a facebook page entitled, "37 Cymbals. Some of hers look drool-worthy!And Matt Bettis - http://www.bettiscymbals.com/index.php
I don`t know why but the couple blacksmiths I know insist that you DO NOT USE A BALLPEEN HAMMER !! Something about control and metal fatigue !!
.....76/#XK9207 Phonic Sound Machine D454/D-505 snares !i
I'm the odd man out here. I say, blast off and don't look back. Give it a try and see what you learn. Who knows, you may find that you're a natural and the next 'big thing' in custom cymbals. Go daddy, go.
For the sake of completeness:
There are about a trillion Zildjian A cymbals from the 80s floating around. Most of them sound like garbage, as that was a reeeeealy bad time for the factory. Grab a few and go to town. No one will miss three bad sounding 80s A's.
I'm the odd man out here. I say, blast off and don't look back. Give it a try and see what you learn. Who knows, you may find that you're a natural and the next 'big thing' in custom cymbals. Go daddy, go.For the sake of completeness:There are about a trillion Zildjian A cymbals from the 80s floating around. Most of them sound like garbage, as that was a reeeeealy bad time for the factory. Grab a few and go to town. No one will miss three bad sounding 80s A's.
I've got a Zildjian A from the 80's. It has the acoustic qualities of a garbage can lid so that's what I use it for
I'm the odd man out here. I say, blast off and don't look back. Give it a try and see what you learn. Who knows, you may find that you're a natural and the next 'big thing' in custom cymbals. Go daddy, go.For the sake of completeness:There are about a trillion Zildjian A cymbals from the 80s floating around. Most of them sound like garbage, as that was a reeeeealy bad time for the factory. Grab a few and go to town. No one will miss three bad sounding 80s A's.
To go one step ****her.....why not experiment with the "low end" B8 cymbals that Sabian and Zildjian offer.....most sound lousy already, so what more harm could one do to them? Best case....if you practice on a few of them you could end up with a nice sounding B8 cymbal like a Paiste 2002 or Giant Beat? :p Worst case....well it will still sound terrible! :p
You guys are hilarious! But some good points made. I'm still thinking about messing with the old A but I'll be gentle.
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