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Needed Ear Plugs at gig Last viewed: 1 day ago

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You are right on with that one. Ear protection should be as essential as a drummer's sticks! I am going to have to rethink my strategy and practice what I am preaching here. I don't think the IPOD ear buds are technically hearing protection, and I am sure I am at risk with the decibel level of both the IPOD and my drums, especially since my garage is like an echo-chamber. I am going to check out some higher end ear phones that block noise or something, but still will play music from the IPOD.

"If it doesn't matter who wins or loses then why the hell do they keep score Peg? - Al Bundy
Posted on 12 years ago
#11
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Here's a link to Westone's page ...

http://westone.com/hhc/index.php/earpieces-and-the-ear/earpiece-materials-colors

drumhack, these are the best phones...

http://www.gk-music.com/ultraphones.htm

And for those inclined, in ear monitors...

http://ultimateears.logitech.com/index.cfm

_________________________

MY Dirty Little Collection
Posted on 12 years ago
#12
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I guess their is something to be said about dynamics while playing, unfortunately when I joined this hard rock band, I had to give up any hope for playing with dynamics for just plain balls to the floor rock n roll. Maybe when I'm 70 I'll think about playing some lighter music. LOL.

seriously though, since I only do a couple gigs a month, I would think its not nearly as bad as those guys playing every weekend. One thing is for sure, if I dont wear plugs during our set, I for sure will be wearing them while the other bands are on stage. guitar2

Lots of Slingerland drums
70's Pearl Fiberglass Ivory
Posted on 12 years ago
#13
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Hi, first of all, let me say that this is my first post here. I've been playing for 50 years and I have a severe hearing loss. Wish I would have known about hearing protection a long time ago.

Before you spend alot of money and get dissappointed with wearing them let me suggest the high fedelity hearing protection from ETYMOTIC. These are great hearing protection and only cost $12.00. These are made for musicians and they also have other in ear earphones etc. see www.Etyomic.com

But by all means find something you will use and then use it. Good luck. John

Posted on 12 years ago
#14
Posts: 5295 Threads: 226
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Tinnitus is not a nice thing to have...Trust me...

Cheers

1976 Ludwig Mach 4 Thermogloss 26-18-14-14sn
1978 Ludwig Stainless 22-22-18-16-14-13-12 c/w 6-8-10-12-13-14-15-16-18-20-22-24 concert toms
1975 Sonor Phonic Centennials Metallic Pewter 22-16-13-12-14sn (D506)
1971 Ludwig Classic Bowling Ball OBP 22-16-14-13
1960's Stewart Peacock Pearl 20-16-12-14sn
1980`s Ludwig Coliseum Piano Black 8x14 snare
1973 Rogers Superten 5x14 & 6.5x14 COS snares
1970`s John Grey Capri Aquamarine Sparkle 5x14 snare
1941 Ludwig & Ludwig Super 8x14 snare
Posted on 12 years ago
#15
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One more tidbit of advice, as an avid ear plug user: put them in AS SOON AS YOU CAN when the sound system has been turned on. Especially when you're on the road, and you don't know what caliber of sound guy you have, this is vitally important. Sometimes while I'm still setting up my gear, there will be a deafening, venue-shaking blast of feedback which brings all of the people on stage to their knees. It's not necessarily the fault of the sound guy, as the previous night's sound tech might have switched something around, but it would definitely be my fault if I didn't protect my ears...

1970 Ludwig Downbeat
1965 Ludwig Hollywood
1970 Ludwig Jazzette
Posted on 12 years ago
#16
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What??????

Get off! Get your f**in' clothes and get off! Right now! Pull the f**in' bus over! -Buddy Rich
Posted on 12 years ago
#17
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Will someone please answer that darn phone.....

_________________________

MY Dirty Little Collection
Posted on 12 years ago
#18
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From caddywumpus

One more tidbit of advice, as an avid ear plug user: put them in AS SOON AS YOU CAN when the sound system has been turned on. Especially when you're on the road, and you don't know what caliber of sound guy you have, this is vitally important. Sometimes while I'm still setting up my gear, there will be a deafening, venue-shaking blast of feedback which brings all of the people on stage to their knees. It's not necessarily the fault of the sound guy, as the previous night's sound tech might have switched something around, but it would definitely be my fault if I didn't protect my ears...

Caddy is right on this. Should that happen, we refer that as "a career opportunity" for the audio crew! If nothing else, foam ear plugs will help. I prefer the custom or semi custom ear buds as they generally provide about 15dB of external noise reduction.

It is not at all unusual to have decibel levels in excess of 105 in front of many club PA's. Sitting on top of a snare drum will render similar readings. Hearing protection is important and I wish I would have heeded that as a young man. Tinnitus is rather disconcerting.

tnsquint
Very proud owner of a new Blaemire Snare 6.5 x 14 made by Jerry Jenkins "Drumjinx"
Posted on 12 years ago
#19
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Caddywumpus, OMG I have that happen so many times over the years in clubs. I've experienced some real howlers that have set my ears off ringing far worse than the show itself. Yeah soundcheck can be deadly.

The other one I've found in the past is going on a fast changeover after a drummer who has a million db of snare coming thru the side fill. Its like Im nailing my own head to the wall on each backbeat! You can never be too careful.

Nowadays I use Ultimate Ears that are moulded to my ear canal. Expensive, but I tour with a band with a monitor system that I hook into. I still have a wedge though for a bit of air movement.

40's Slingerland Radio King WMP
60's Ludwig Downbeat Silver Spark
70's Ludwig Super Classic White Marine
60's Gretsch RB Champaigne Spark
70's Rogers Big R Black
90's Sonor Hilite (Red maple)
00's DW Collectors Broken Glass
00's DW Jazz Series Tangerine Glass
10's DW Collectors (Acrylic) Matt Black Wrap
10's PDP Concept Wood Hoop kit (Maple)
Proud ambassador of the British Drum Company
Posted on 12 years ago
#20
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