Back in my Nashville days, I once had a long talk w/ Larrie Londin about bass drum technique. (You'd never know it just by hearing his records but that guy had screamin, I mean, !SCREAMIN'! chops) He'd just switched to Premier 252 pedals from a couple he'd had custom-made where the footboards were control pedals from a B-52!
He was working on setting up the Premiers to feel like his old ones. On his old ones: with your foot off the board, the smackhammer was HARD against the footboard. I lifted up the smackhammer, put my foot on the board, let loose of the smackhammer, and it damn near felt like I'd put my foot in a mousetrap! Of course, he had some big ol' legs too.
Larrie said he was told by Sonny Paine about cranking up your pedal's spring tension to get more volume out of the fast stuff because the hammer's further from the head at the beginning of each stroke. Good enough for me so I started doing that.
Took a bit of work at first but it's surprising how quick you get used to it. Now, I have to change out the heavy-duty springs on my Axis and Sonor pedals about every six months or so or else I start to outrun them, and the springs are as tight as they'll go. You really DO get used to it all.
With the OP's topic in mind, one COULD crank up their springs (if they're not already), pick up...say...Colin Bailey's BD technique book (great book BTW), work out with that stuff for a chosen period of time with the springs up tight, then loosen the springs to where they were previous, and blast away. Oughtta be like butta, just like butta!
Larrie's wisdom was incredibly valuable to me because I was inspired by Louie Bellson but had only 1 BD and no money. The options were to say "Hell with it, Louie's got 2 drums to my 1 so there's no way." OR "How cool would it be to try to play some of this stuff anyway, developing what I can but just using the 1 BD?" One of the wisest things I've ever done.
To the OP: Good luck on your quest and whatever you do, have a ball.