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Recutting Lauan edges Last viewed: 1 minute ago
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You might want to try and move the shell in the opposite direction of the bit. You have to take care and go little bits at a time but going in reverse helps reduce,eliminate tearout. Then after you cut the edge in reverse go in the direction of the bit and it will finish the cut nice and clean.
I'd like to go on record regarding reshaping/re-cutting MIJ edges, not so much in response to the above bearing edge situation, as these edges have already been reshaped, but as a plea to anyone thinking about jumping in and reshaping/re-cutting their bearing edges. 2. If you are still unhappy with the drum's sound with a new head (after being played for a bit then retuned) try to give the edges a light sanding. 220 grit sand paper works well, and you dont need to dig into the edge, just a few times back and forth until the edge is smooth to the touch when you run your finger all the way around the edge. Put the (new) head back on then try tuning up again. If at this point you are still unhappy with the drum's sound, you may consider modifying the edge's shape slightly. Try Jonnistix's method. But please, dont go full bore into a sharp edge as this basically takes the 'vintage' design of the drum away and you start to get into a more modern edge design, which may not work well with the drum's construction. I know these drums do not have a lot of monetary value and are not, to most, regarded as 'collectors drums.' but when working on the MIJ sets of the 60's, please, at the very least, proceed with much caution and consideration for these vintage instruments.
I am working a kit right now, and I am going to make a new "How To:" so that it is more easily seen as to what I mean. The contour changes I make are, for the most part, very subtle, but they are changes nonetheless. The current kit has almost flat edges, theres no round over to speak of, and they are flat sounding. I know this part sounds silly, or almost "horse whisperer", but I "listen" to the wood, and the edge will shape itself, all I do is drive the sandpaper. I am going to use a 100 to 220 grit so that I can get them the way I want them. If a shell has true Ludwig or Sling rounded edges, I clean them up and put a very smooth 220 finish on them. The reason is that if the grain is closed the head will vibrate much more freely, and anytime you have a smooth surface, you have less friction, and that allows the heads to move freely.
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The contour changes I make are, for the most part, very subtle, but they are changes nonetheless... I know this part sounds silly, or almost "horse whisperer", but I "listen" to the wood, and the edge will shape itself, all I do is drive the sandpaper... If a shell has true Ludwig or Sling rounded edges, I clean them up and put a very smooth 220 finish on them... if the grain is closed the head will vibrate much more freely, and anytime you have a smooth surface, you have less friction, and that allows the heads to move freely.
This method seems much more palatable to me. In many cases, this is exactly the type of work that an edge would need for a drum to sound its best. And I absolutely agree about having smooth surfaces for the heads.
I think a vid of this type of work would be a great addition to the site, especially if you're working on the WMP set so we can see how it's coming along!
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