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The focus of your collecting Last viewed: 4 minutes ago

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I too have enjoyed the other peoples' responses. For me, collecting was a way to keep my enthusiasm for drumming. I went into a period where I thought maybe I'd be better off if I quit playing altogether and focused my time and energy elsewhere. Collecting got me excited again. I might have went overboard searching for the perfect acrolite, maybe...but I've sold off a lot of extra gear and kept only what I'm emotionally attached to and/or actually use at this point. Plus, I enjoy the fact that something I've worked real hard to find or restore is giving someone else pleasure when I pass it on

...and besides, there's nothing cooler than vintage drums...

Rob

Posted on 11 years ago
#41
Posts: 1296 Threads: 208
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I have been "narrowing" the focus of my collecting for the last 2-3 years by trading drums for old K's. Fun to play and take up less room!

FYI

Never play it the same way once.
Posted on 11 years ago
#42
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From snurf

I disagree with this. Do you paint a picture with one color or do you use palette? Music has many faces and it is good to have a proper tool for expression.There's no need to even have a drumkit to be better drummer.

I don't need several different kits to "paint my picture". It's really not the kit that makes the drummer, it's the drummer. If you can't take one kit and apply it to different genres of music, then there's something wrong. I'm not what I would consider a "great" drummer, but I do know how to get pretty much any sound I want out of what little equipment I own. Actually, different drum heads and tuning make more of a difference than the actual drums.

No, you don't need a drum kit to be a better drummer, but it sure helps when you're playing with other musicians.The Band

Posted on 11 years ago
#43
Posts: 2264 Threads: 83
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I figure a good number of kits is three. Any more than that and you're getting into delicate territory with your pocketbook and your spouse...

The greatest gift you can give your family and the world is a healthy you. - Joyce Meyer
Posted on 11 years ago
#44
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I've been facinated with the beauty of the vintage drums since I was a teenager. I'd send away for the catalogs and just admire the designs, colors, layouts and so forth. I mostly anticipated what I would buy if I could afford it. But those drums were very expensive in that era when compared with other necessities of life, and by percentages, far more expensive than a good level of say, DW, Ludwig or Gretsch kit today. When they became affordable, I started to dabble and have gone though too many to count. I had probably peaked at a dozen or so at one time.

I've had similar fascinations with antiques houses (New England variety), restored several and built new reproductions of the same. The motive was similar in that I appreciated the details of their designs and the various functions that drove the layouts of those buildings. My favorite was the half Georgian colonial. That can be an expensive realm to play in and I moved away from our last circa 1820 place in 2007 after a massive renovation effort.

The third passion was British sports cars, of which I owned countless numbers, but never more than a few at a time and none now. Again, an expense realm to travel in.

By comparison, vintage drums are relatively inexpensive and I like to change them out with regular frequency. I probably will sell off a couple later his summer and maybe get down to two or three from 4-1/2 right now. But I'm careful on total expense. I have a Rogers 20,12,14 with a matching Dynasonic I got a couple of years ago for $1800. I had to wrap the bass because it had cracked all the way up the side. $100 bucks later it was done. Because it's jet black, it's the same wrap today as it was in '68. That will probably be the last to go, or maybe my son, who fools around a bit with drums will end up with it. Who knows?

It could be worse! I could be into casinos or something of that sort. However, I like building and fixing things back to the way the should be. Just a part of who I am.

Posted on 11 years ago
#45
Posts: 2753 Threads: 132
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From johnnyringo

I'm sorry, but I don't need several different kits to "paint my picture". It's really not the kit that makes the drummer, it's the drummer. If you can't take one kit and apply it to different genres of music, then there's something wrong. I'm not what I would consider a "great" drummer, but I do know how to get pretty much any sound I want out of what little equipment I own. Actually, different drum heads and tuning make more of a difference than the actual drums. No, you don't need a drum kit to be a better drummer, but it sure helps when you're playing with other musicians.The Band

You fail to acknowledge legitimate alterntives to your opinion about why people own drums. Some people (including yours truly) have a reverence and appreciation of drums that does not involve playing our drums in public performances. I can only speak for myself. I've already stated that I played professionally for many years, and never owned more than one set of drums at any one time during my active gigging years. Acquiring, spiffing up, and trading (rather than selling) vintage drums that I like is my hobby. If you can't accept that as a legitimate reason to "collect" drums that don't get gigged by me, that is YOUR problem. My hunch is that vintage drums which have been mine for a while probably do get gigged when someone owns them after me.

No matter how far you push the envelope, it is still stationery.
Posted on 11 years ago
#46
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I personally have not seen no wrong answer thus far, the reason we collect or anything else for that matter is as individual as the person answering the OP'S query. I play everything I collect. My collection has changed over the years I am on a 70's kick now just because of my age, I started out on the 20's,30's, 40's and 50's and 60's stuff, I am a rock/blues drummer that is what bands I play in. Stainless steel drums are my all time favorite No drums I have owned or personally heard compares to them.

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 11 years ago
#47
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It's nice having some options for different types of gigs. Different sizes and shell makes. I'm not going to use my bebop kit for a rock and roll gig. I probably would choose a different kit for a funk date vs a singer songwriter type of thing. Yes it can be costly. Yes it can take up space. Yes it can take some time to maintain. That said, I think there is almost always a tipping point when things are near duplicated.

Posted on 11 years ago
#48
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My collecting is finally starting to become more focused after eight years. I am less distracted by every shiny thing that I see. I am moving toward only certain brands and eras as I gain more knowledge about them. I have evolved into more of a researcher/historian than a collector, but in the process of gathering information, I come across many opportunities to add to my collection.

Rick

Collecting information about the following for ongoing research projects:
Gretsch drums with serial numbers,
Ludwig Keystone and B/O badge drums with serial numbers and date stamps,
Ludwig Standards from 1968-73, and
Ludwigs with paper labels from 1971-72
www.GretschDrumDatingGuide.com
Posted on 11 years ago
#49
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From leedybdp

You fail to acknowledge legitimate alterntives to your opinion about why people own drums. Some people (including yours truly) have a reverence and appreciation of drums that does not involve playing our drums in public performances. I can only speak for myself. I've already stated that I played professionally for many years, and never owned more than one set of drums at any one time during my active gigging years. Acquiring, spiffing up, and trading (rather than selling) vintage drums that I like is my hobby. If you can't accept that as a legitimate reason to "collect" drums that don't get gigged by me, that is YOUR problem. My hunch is that vintage drums which have been mine for a while probably do get gigged when someone owns them after me.

I don't care how many kits you or anyone else owns and it's really none of my business. Let me be clear, I'm talking about me, I don't understand the fascination of collecting, but it's your hobby and that's what you want to do. I love vintage drums as much as the next guy, but when I go to someone's house and there are snares, drum kits and cymbals stacked up all over, including the garage, I just don't get it. Especially since the majority of these fine instruments just sit around waiting for the next big trade to roll around.

Posted on 11 years ago
#50
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