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What is the “ideal” TUNING for a 70s Gretsch drum set??? Last viewed: 7 hours ago

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Hello,

I have a ’77 Gretsch kit that I recently took out of the closet to resume my drumming on an acoustic set (like God intended :D). I’ve been practicing on a Roland electronic kit for a few years, but it doesn’t really come close…

My drum set (everything is original, except the 10” tom):

3 Toms:

10 x 6.5 (pretty shallow, added to the original kit in 1981)

12 x 8

13 x 9

16 x 16 floor tom

20 x 14 bass drum

Aluminum Snare (the original 4108)

(BTW, I’ve replaced the awful original tom holders with the Gibraltar GTS RIMS system and it looks and feels much better - Link here if you're curious).

Now, since I stopped playing this set a few years back, I’ve taken lessons, read a number of articles and seen quite a few videos on the importance of tuning the drums properly to get the best possible sound, so the next thing I did was to replace all my batter heads with Evans G2 (EMAD for the bass drum and Power Center Reverse Dot / Hazy 300 for the Snare) and get myself a “home-made DrumDial” to make the tuning process as scientific and repeatable as possible :D

Well, yesterday I spent the better part of two hours trying to tune my 10” tom and by the end of it I was fit to be tied. I first removed the reso head and just concentrated on getting an even “musical” sound from my batter head and it was tough, I tell ya (and then the death metal band in the adjacent rehearsal room let it rip, and it got even harder to hear all the nuances of my bleeping batter head).

I’ve read about a tom’s “sweet spot” – where the sound just opens up and is all wonderful – but when I thought I’d found something like it on my 10”, it turned out to be quite low (I thought: what will the 16” floor tom sound like if I start so low on the 10”?), so I tuned it up.

The actual note I ended up with for the 10” tom was a D for the batter head (which is higher than the A or B that I’ve read about on other posts), and a (higher) F for the reso head (to decrease the resonance and give the tom an added “punch”). It sounds OK, I guess, but I’m pretty sure it should sound better (and I want to avoid using moon gels if I can to eliminate unwanted frequencies).

Thing is, since I don’t want to spend another 20 hours tuning the rest of the kit, I need HELP. My question, then: could anybody out there with a similar drum set (again, 1970’s Gretsch, 6-ply maple --> 10/12/13/16” toms) tell me what NOTES they use to tune each of their tom batters???? I know it’s a matter of preference and kind of music, but an answer of the kind: “ideal high tuning” / “ideal low tuning” would be GREAT. BTW, the kind of music I play is 70s/80s rock (Police, Rush, Genesis, Tull) so that is roughly the sound I’m aiming for.

THANKS A LOT IN ADVANCE :D,

Alex

(Madrid, Spain)

Posted on 11 years ago
#1
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I've been playing professionally for about 20 yrs and have never tuned my drums to an actual "note" - not sayin' it's bad, but I find the tonal spectrum I like and stick with it.

I personally start w/ the bottom or "resonant" head and tune it just a touch higher than where I like my batter side, so that way it's doing its job as a "resonant" head. Then I add the batter, and away I go!

70's Gretsch's are awesome and should pretty much tune themselves - but like any drum and drum set, you have to tune them for what they were made for. I.E. - you're not gonna get a Bonham vistalite set-up to sound like Max Roach's little gretsch's - and vice-versa.... You get the point ; )

Posted on 11 years ago
#2
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I can totally relate to your pain. CryBaby

Just when you think you're on the right track, something happens to throw off the whole equation.

Your 10" and 12" toms are 5 luggers. I feel this makes it a lot trickier to tune, since there isn't a direct opposite lug to adjust per side. Adjust one lug that is too high or too low and then you have to slightly adjust the opposite two lugs. Maybe I'm just approaching it the wrong way.

Ironically, I just bought new Evans G2's for the tops and Genera Reso's for the bottoms, but I only have a 12x8 and 14x14 to wrestle with. It had Ambassadors for the top and bottoms, so it's going to be a totally different sound with the new heads.

I have a Drum Dial and I use it to get close and then micro adjust by sound and ear. You've only been working with the 10" tom, but try the 12". If you get it dialed in then retry the 10" or move down to the 13".

I've seen examples with the following tuning ranges:

[INDENT]Highside

14" Snare - F|G|A|B

10" Tom - D|E|F

12" Tom - A|B|C

13" Tom - F|G|A

14" Tom - E|F|G

16" Tom - C|D|E

Lowside[/INDENT]

If you are concerned with the 16" being too low, start with that drum and work your way up.

One tuning range, which gives a nice spread, could be the following:

[INDENT]Snare - F

10" - D

12" - B

13" - G

16" - E[/INDENT]

Good luck and keep at it. As frustrating as it is, this is the best way to get familiar with your instrument (s). I'm learning

-Tim

Posted on 11 years ago
#3
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I think you've got that 10" tuned too low. By the time you get to the 16" the interval will be too low to tune it well. I'd start with the 16 as well and go up. I tune to specific notes because I like the consistency and I've been doing it this way so long it's fast and repeatable. For my style I like "low-ish" tuned toms so I do it like this on my Yamaha kit:

10", reso=E, bat=B

12", reso=B, bat=F#

14", reso=F#, bat=C#

16", reso=C#, bat=G#

This puts the toms all evenly spaced as 4ths which is how many tune even if they don't realize it.

For my 60's Slingerland kit I do this:

12", reso=A#, bat=F#

13", reso=G, bat=D

16", reso=D, bat=A#

This puts the rack toms spaced as a 3rd and the space between the 13" and 16" a 4th. I just like how this sounds. Again this is a low tuned setup. Jazz players will tune much higher.

For bass drums I like to tune the reso head to just above wrinkle and the batter head a little tighter until the rebound is nice. I don't really feel there's much sense in tuning bass drums to pitches. Just my 2 bits.

Steve

1967 Slingerland 12,13,16,20 White Satin Flame
1968 Slingerland 12,14,16,20 Light Blue Pearl
Posted on 11 years ago
#4
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Bernard Purdie said at the very first Zildjian Day in Chicago in the early 80's that you should tune (tension) your BD FIRST,,as that is the most offensive if too low or too high..

He stressed it is a BASS drum..not treble drum..

Then,do your FT,then mounted tom(s),then lastly,snare...

So I have done that ever since...

Maybe that will help...

"Always make sure your front bottom BD lugs clear the ground!"
Posted on 11 years ago
#5
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Phew, thanks a lot for you quick and *extremely* helpful replies!!

[Dexter74] Thanks for the encouragement and the advice. I’m going to try the different tunings suggested in the other replies, but if things get too frustrating, I may just give up trying to get actual notes on the toms and just aim for nice, regular pitches that flow nicely from one tom to the next :-D Also, the idea of starting with the reso head first may actually help instead of complicating things as I first thought. I’ll give that a try.

[Thornbeck] You’re absolutely right, I think 5-lug toms are harder to tune (I thought about it at some point yesterday, during my tuning debacle). Out of my 3 aerial toms, the only one that sounds pretty good right now (a solid, low punch with no overtones) is the 13”, a 6 lugger (I’m almost afraid to tinker with it :-D). Thanks a lot for all the tuning ranges you list; I’m sure one of them will prove to be the one!

[Steve] Thanks for the two tuning suggestions; I’ll try them, starting with the 16” and working my way back. I agree with the bass drum comment; after putting the EMAD head and the reso head (with a 5” hole) I tuned them pretty low (compared to what I used to) and it sounds really good. No need for the pillow/blanket I used to stuff inside (I’m ashamed to say :#/).

[Blairndrums] I already have the bass drum tuned and the FT doesn’t sound too shabby, so I’ll follow the order you suggest, thanks.

Thanks again,

Alex

Posted on 11 years ago
#6
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I have always tuned from low too high, The 10" tom do you have a single ply head you can try on it? the reason I am saying this is the small drum with the 5 lugs sometimes they get choked by a 2 ply head.

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 11 years ago
#7
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I thought the ideal tuning for any 1970's drum set was low as possible and then duct tape that sucker to kill that annoying sustain.... Unless you had the extra scratch for Deadringers.

Posted on 11 years ago
#8
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From Ickybaby

I thought the ideal tuning for any 1970's drum set was low as possible and then duct tape that sucker to kill that annoying sustain.... Unless you had the extra scratch for Deadringers.

LOL!! Laughing HLaughing HLaughing HLaughing H

.....then put a bonnet on it! Those babies will sound right, as long as you have a great engineer to tame them!

Thanks for the indulgent humor!!

I had a great day! Instead of sleeping in and wasting the day, I got up at 8 and I had all my slacking done by noon!

2Timothy1:7
Posted on 11 years ago
#9
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Hello again,

Another grueling session yesterday: 5 hours of “tuning ordeal”. In the end, looking at all your suggestions, the one that best seemed to fit my drum set turned out to be Thornbeck’s “high tuning”:

............Batter.............Reso (1 Minor 3rd above batter head)

10”..........F...................F (shallow tom -> same tuning as batter head to increase sustain)

12”..........C...................D#

13”..........A...................C

16”..........D#.................F#

RESULT: the toms sound good, with a powerful, open sound. I’ll try to record a small audio file and upload it – if possible – to give you an idea.

A couple of small objections: the 10” sounds very bright, but I think it ended up too high with respect to the 12”. I think I’ll tune it down to a E or even lower (since there is a minor 3rd between the 12” and 13”, a fourth seems like a bit much between the 10” and the 12”). Also, the 16” floor tom sounds a bit low – the jump with respect to the 13” is too wide. An E or F would probably sound better.

I’ll keep you posted :-D

Alex

PS. Ickybaby’s “duct tape the heck out of them” comment is very funny, but sadly very close to reality (that’s how I used to “tune” them a few years back Eye Ball).

Posted on 11 years ago
#10
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