Hello,
I have a ’77 Gretsch kit that I recently took out of the closet to resume my drumming on an acoustic set (like God intended :D). I’ve been practicing on a Roland electronic kit for a few years, but it doesn’t really come close…
My drum set (everything is original, except the 10” tom):
3 Toms:
10 x 6.5 (pretty shallow, added to the original kit in 1981)
12 x 8
13 x 9
16 x 16 floor tom
20 x 14 bass drum
Aluminum Snare (the original 4108)
(BTW, I’ve replaced the awful original tom holders with the Gibraltar GTS RIMS system and it looks and feels much better - Link here if you're curious).
Now, since I stopped playing this set a few years back, I’ve taken lessons, read a number of articles and seen quite a few videos on the importance of tuning the drums properly to get the best possible sound, so the next thing I did was to replace all my batter heads with Evans G2 (EMAD for the bass drum and Power Center Reverse Dot / Hazy 300 for the Snare) and get myself a “home-made DrumDial” to make the tuning process as scientific and repeatable as possible :D
Well, yesterday I spent the better part of two hours trying to tune my 10” tom and by the end of it I was fit to be tied. I first removed the reso head and just concentrated on getting an even “musical” sound from my batter head and it was tough, I tell ya (and then the death metal band in the adjacent rehearsal room let it rip, and it got even harder to hear all the nuances of my bleeping batter head).
I’ve read about a tom’s “sweet spot” – where the sound just opens up and is all wonderful – but when I thought I’d found something like it on my 10”, it turned out to be quite low (I thought: what will the 16” floor tom sound like if I start so low on the 10”?), so I tuned it up.
The actual note I ended up with for the 10” tom was a D for the batter head (which is higher than the A or B that I’ve read about on other posts), and a (higher) F for the reso head (to decrease the resonance and give the tom an added “punch”). It sounds OK, I guess, but I’m pretty sure it should sound better (and I want to avoid using moon gels if I can to eliminate unwanted frequencies).
Thing is, since I don’t want to spend another 20 hours tuning the rest of the kit, I need HELP. My question, then: could anybody out there with a similar drum set (again, 1970’s Gretsch, 6-ply maple --> 10/12/13/16” toms) tell me what NOTES they use to tune each of their tom batters???? I know it’s a matter of preference and kind of music, but an answer of the kind: “ideal high tuning” / “ideal low tuning” would be GREAT. BTW, the kind of music I play is 70s/80s rock (Police, Rush, Genesis, Tull) so that is roughly the sound I’m aiming for.
THANKS A LOT IN ADVANCE :D,
Alex
(Madrid, Spain)