I have used all 3 before.All serve their purpose tonally in recording, and contain worlds of sonic exploration.How they feel is an equal yet different relationship.I like how a 28 rattles back at you...rides like an old Fatboy...but because of the sheer area that the head is, and how it vibrates...it takes some getting used to.Also...at least for "rock" purposes, you really gotta giver to get 28s singing...which can take it right out of you, if you're not ready for it.A 26 has more control. All around easier on your legs, while still big, and curvy;)And though 26s can get pretty dark...the 28 owns the dark, y'know.lolThe 24 feels kinda standard now...like how 22s have been the standard all along.My 24 gets the most work. It's easy work, and sounds killer every time.It travels easier too.Sadly though, after playing big drums for a while...little kicks never really quite get away from feeling like playing floor toms...or boxes.lolCheers.
Hey whodo,
I appreciate your detailed information on the subject. As I said I never played anything larger than a 24, so this thread is really for my education if nothing else. As I also said I am looking at two radio King kits and both have bass drums larger than a 24. So here's the thing, the one with the 26
has been completely restored. It is all original except for the wrap/white Marine Perl 26, 13, 14, 16 and 14. $2400.99. The other has the 28 and the same sizes for all the toms minus the snare. $1750.00
The first… With the 26 is dated 1946 – 1948. The second is dated 1940s and according to the catalog it is a Gene Krupa Super Radio King Deluxe.
So you see why I'm torn between the two.