8upwithit!The "Big Swing Face" recording at "The Chez" were Buddy's Rogers drums with the wood/WMP Dynasonic snare drum! Drums sound GREAT on that album too! :)Tommyp
Haa! I knew it! THAT'S why I like the snare sound so much!
Thanks, TommyP.
That shot of the left-handed set you posted Tommy really had me riveted to the screen. They didn't even use SS rivets. Amazing. Still an interesting period set of drums and unusual in that it was left-handed from the factory.
The first Buddy Rich album I heard (and bought) was called "Buddy Rich Big Band", which was a double album, three sides of which were live recordings. Some of them were done at The Chez, including "Big Swing Face". I was about 14 when I got that record, and that sound has been the sound in my head whenever I think of Buddy Rich. I wore that album OUT.
PS - I recall seeing Buddy Rich at least two times and possibly three. The clearest memory was at the "temporary" house of Lennie's on the Pike when it was at the hotel located at the intersection of Rte 128 and Rte 1 north of Boston. I'm guessing it was in the summer of 1970. I took a date I met at Hampton Beach. We were both about 18. When we got to the door I had to buy two tickets each for drinks along with the entry tickets (I just barely had the $$). I wasn't happy about that, but the date was thrilled. Unfortunately, I may have been paying a bit more attention to her than the drums, because I cannot recall what he was playing at that show. Eventually I got the impression she preferred Rod Stewart to Buddy Rich, so that relationship only lasted about 6 months.
A year or so later I saw him at Canobie Lake Park, and I think he was playing Slingerland at that one. No drinks and no date, but I'm still not sure. Falling Do
As I recall Buddy's Modular-ish set-up preceded the introduction of the actual Modular hardware line. If so that might be why Buddy's sets lacked the heavy castings. Could Buddy's desire for a mount more akin to the Slingerland set-o-matic he was used to have been something that got Ludwig started towards designing the modular hardware? Probably not, more likely it was a response to Rogers Memri-Loc system. The trend at the time was for bigger, heavier, and thicker hardware and Ludwig responded admirably to those misguided (in retrospect) goals. I don't ever recall seeing Buddy on a set with the heavy castings (which doesn't mean it never happened by any means) so I wonder if he specifically asked that they not be used. Surely he acquired at least a few new sets from Ludwig during the modular/riveted early 80's before he burned that bridge once and for all and moved on to his restored set of Radio Kings.Given Ludwig's penchant for using what they had it's almost odd that they developed those monster castings when their existing base plates would work but those castings probably better answer the aforementioned "bigger is better" motif.As a "Ludwig guy" at the time I remember being thrilled when Buddy moved back to Ludwig in the late 70's but in my mind's eye I aways see him as a Slingerland drummer. That's what I saw him playing on the two occasions that I was fortunate enough to see him live (Nov. 1975 and Nov. 1985 exactly one decade apart to the day, and at the same venue). Of course Slingerland (Gibson) isn't making a whole lot of drums these days but it would have been cool if Maxwell could have swung a deal with Gibson to do a set like this. If they repro'ed the set-o-matic it probably could have been nearly 100% accurate. Get the name rights for a limited edition from Gibson, get the shells from Stone, the correct wrap from Delmar, and finish them off in house. If anyone could have pulled it off Steve could have.
K.O.!
Interesting speculation on the possible WHY behind Buddy's "semi" Modular tom mount on his first set/sets supplied by Ludwig in 1978. That said though, he DID have the full on production Modular tom mount on at least one, possibly two, of his Ludwig sets during his third endorsement starting in 1978. By my research .. and I have spent YEARS on it too! .. his last set in 1982 had the full production Modular tom mount. I tend to lean/agree with you in that his 1st sets were PRE full production of that Modular mount ... bulky as it was! And, I also agree that Ludwig went with that over the smaller "footprint" mount that both Buddy AND Ed Shaughnessy had on their respective Ludwig sets during this period. It was indeed the 80's ... BIGGER WAS BETTER! :) Course, I personally prefer the FIRST tom mount variation, and think Ludwig should have just stayed with that! This all said ...
... here are a couple pics out of my collection: The drum battle between BR and Ed Shaughnessy on The Tonight Show in 1978 which shows both their sets with the PRE full production Modular tom mount .. and .. a still I grabbed off the Buddy Rich Up Close DVD in 1982 showing one of, if not the, last set Buddy had just before leaving Ludwig for good, meaning never to play them again. Actually, to be completely accurate, Buddy and Ludwig OFFICIALLY parted ways in 1980!, but Buddy continued to play his Ludwigs through 1982, but without an endorsement deal!
Tommyp
The picture with Buddy and Ed ...looks like a smaller bass drum than usual for him...22"?
PS - I recall seeing Buddy Rich at least two times and possibly three. The clearest memory was at the "temporary" house of Lennie's on the Pike when it was at the hotel located at the intersection of Rte 128 and Rte 1 north of Boston. I'm guessing it was in the summer of 1970. I took a date I met at Hampton Beach. We were both about 18. When we got to the door I had to buy two tickets each for drinks along with the entry tickets (I just barely had the $$). I wasn't happy about that, but the date was thrilled. Unfortunately, I may have been paying a bit more attention to her than the drums, because I cannot recall what he was playing at that show. Eventually I got the impression she preferred Rod Stewart to Buddy Rich, so that relationship only lasted about 6 months. A year or so later I saw him at Canobie Lake Park, and I think he was playing Slingerland at that one. No drinks and no date, but I'm still not sure. Falling Do
Great story :)
The picture with Buddy and Ed ...looks like a smaller bass drum than usual for him...22"?
8upwithit!
They are both 14X24's .. but .. contingent on angle, sometimes a 24" bass drum does indeed appear to be a 22". BR and Ed both played 24's as their primary. On Ed's full set, he has a 20" on the left. This all said ...
... there were times when Buddy DID play a 14X22, and with Rogers and Slingerland that I know of. In those cases they were usually not his main set, but a supplied set for that particular performance and/or tour. Buddy's 1st Rogers Beavertail set had a 14X22 in some of the first pics ... then it was his standard 14X24 from then on out. Here's another pic out of my collection showing Buddy on his Slingerland's in 1973. The bass drum is a 14x24, but doesn't it look like a 14x22? I always thought it did! :)
Tommyp
You're right, it does look like a 22. I guess it's because he sat up so high. My seat is usually at about the same height as my bass drum, which is 22" or 20".
I remember seeing a clip of him on the Tonight Show, and he was playing a plain white 5pc (Ludwig) kit. I read in Mel Torme's book about Buddy that he would be supplied with a kit from whomever he was endorsing at the time for TV appearances and such, and would often give them away afterwards.
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