The nice thing about a newly wrapped kit is you can add a drum to it later down the road and still get wrap that will match. I wrapped some Slingerlands last summer and have been looking to add a floor tom. Its nice to know I can get wrap for it no problem.
The value of a re-wrapped kit depends on... Last viewed: 37 seconds ago
Thank you!
Jeff C
"Enjoy every sandwich" Warren Zevon
This post explains perfectly why I like re-wrapped kits. I can get great classic shells, with a great finish, not peeling or cracked, and get them for an affordable price. And as a bonus, I can gig with the kit without worrying too much about scratching it up.I gig with all my kits, and wouldn't think of buying a kit to keep on a shelf. It's just the way I roll.
+1! All the drums that I can afford get used! I got these http://www.vintagedrumforum.com/attachment.php?attachmentid=29309
from rillow64 (thanks dude!) and once I'm finished with them they will have seen more backs of vans than an FBI stake-out team. Because they were rewrapped I don't worry so much. Stages are rarely perfectly flat & tom rash is inevitable.
1970 Ludwig Blue Oyster Super Classic
1977 Rogers Big R Londoner 5 ebony
1972/1978 Rogers Powertone/Big R mix ebony
60's Ludwig Supersensitive
Pearl B4514 COB snare ( the SC snare)
Pearl Firecracker
PJL WMP maple snare
Odds & Sods
Sabians, Paistes, Zildjians, Zyns, UFIPs, MIJs etc
Item may be subject to change!
I've been wondering this for a while. There's a few marked guy's in the UK who do a lot of work on vintage drums. Gary Noonan for one. Is there a point where a kit that has been re-furbished/re-cut/re-wrapped by a certain drum craftsman/woman can command more in the market place? Almost like a sub-brand?
60's Ludwig Downbeat Silver Spark
70's Ludwig Super Classic White Marine
60's Gretsch RB Champaigne Spark
70's Rogers Big R Black
90's Sonor Hilite (Red maple)
00's DW Collectors Broken Glass
00's DW Jazz Series Tangerine Glass
10's DW Collectors (Acrylic) Matt Black Wrap
10's PDP Concept Wood Hoop kit (Maple)
Proud ambassador of the British Drum Company
I've been wondering this for a while. There's a few marked guy's in the UK who do a lot of work on vintage drums. Gary Noonan for one. Is there a point where a kit that has been re-furbished/re-cut/re-wrapped by a certain drum craftsman/woman can command more in the market place? Almost like a sub-brand?
I don't believe so? Take my Oaklawn era Camco's once Ryan finishes rewrapping them the value will be no more than when they were unwanted orphans. I paid more for the glass glitter wrap and the 10" replica shells than the set will be worth when finished. Unfortunately that's just the way it is. Since each one has been modified the value drops to just a set of players that is usually less than what it cost to refurbish them. My Camco's will be forever loved and cherished by me and I will always be grateful to Ryan for all of his hard work but realistically speaking you wouldnt want to restore them for resale or you would lose most of your investment...
I expect that the value of a re-wrapped kit is lower because of the factor of whatever repairs are tucked away under the wrap. You know, the problematic surprises that only show up under closer inspection.
I've been wondering this for a while. There's a few marked guy's in the UK who do a lot of work on vintage drums. Gary Noonan for one. Is there a point where a kit that has been re-furbished/re-cut/re-wrapped by a certain drum craftsman/woman can command more in the market place? Almost like a sub-brand?
Value is purely subjective. If someone really wants/ desires/ demands kits re-worked by a particular guy they could be more valuable then an all original kit.
1966 Kent Kit
1969 Ludwig Standard Kit
1970 Rogers Power Tone Kit
1970's Ludwig Vistalite Kit
1994 Yamaha Maple Custom
2010 Yamaha Maple Custom
28 assorted snares (including some real crap)
and 1 really nice K Zildjian Istanbul
I've been wondering this for a while. There's a few marked guy's in the UK who do a lot of work on vintage drums. Gary Noonan for one. Is there a point where a kit that has been re-furbished/re-cut/re-wrapped by a certain drum craftsman/woman can command more in the market place? Almost like a sub-brand?
Not sure where you're located in the UK, but there's Eddie Ryan, he did some work for me a long while back on a few Premier snares I had, nice guy, friendly and very professional.
Not sure where you're located in the UK, but there's Eddie Ryan, he did some work for me a long while back on a few Premier snares I had, nice guy, friendly and very professional.http://www.eddieryancustomdrums.co.uk/
Yes I know him, he did a bearing edge on a Rogers Tom of mine years ago. I have noticed on ebay over recent time sellers name dropping on re-wraps, such as Eddies name and ramping the asking price.
60's Ludwig Downbeat Silver Spark
70's Ludwig Super Classic White Marine
60's Gretsch RB Champaigne Spark
70's Rogers Big R Black
90's Sonor Hilite (Red maple)
00's DW Collectors Broken Glass
00's DW Jazz Series Tangerine Glass
10's DW Collectors (Acrylic) Matt Black Wrap
10's PDP Concept Wood Hoop kit (Maple)
Proud ambassador of the British Drum Company
Think I gotta get off the booze... Starting to see faces in that "Purdie/Kevins" wrap..
Think I recognise a couple too...??
Cheers
'69 Slingerland Hollywood Ace
'75 Rogers Dynasonic 6.5 x 14, 10 lug COB
'77-78 Slingerland 6.5 x 14, 10 lug COB
'78-79 Slingerland 5 1/4 x14 8 lug COB
'79 Biman 5 1/4, Acrolite
'82 Slingerland 5 1/4 x 14. Festival COS
'84 Tama MasterCraft Superstar 6.5 x 14, 10 lug Rosewood
'98 Slingerland (Music YO) 6" 10 Lug Maple.. NOS
Zildjian, Sabian , UFIP & Paiste mix.
> realistically speaking you wouldnt want to restore them for resale or you would lose most of your investment...
Which brings us right back around to my reason for starting the thread! I think a lot of it has to do with time. I'll bet that 20 - 30 years from now, even the rewrapped kits will gain in value. My reality is; I'll be long gone before my rewrapped kits even begin to match in value what I put into them.
Reality is a harsh mistress...
John
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