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Will an Acrolite sound better with new/different snare wires? Last viewed: 1 second ago

Posts: 1880 Threads: 292
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From tubmyk2

I have an Acrolite that I am having trouble placing a manufacture date to, but it's a pre-battleship with a 222 serial number. It came to me with Rockers heads on it so I'd like to assume they are originals from the era but not original to the drum. Anyway it sounds pretty good, just gave it a nice rehab and changed the heads etc. The snares that came on this are 12-wire. I was having trouble dialing in a good sound after the head replacements (was basically getting a lot of drum with not enough snare, if that makes an sense - like when you make the snares way too tight) so I was considering swapping them out with a set from Puresound. Will I gain anything cool by doing that?

I think a snare "sounding better" with different wires is subjective..What one person hears, another might not like.. I have a '71 Acro, that i'm using at a gig tonight in fact, and i put a set of PDP wires on it, and the snare is crisp and sensitive.. It also depends how loose or tight you tension them.. I like to keep mine, just slightly below tight, but i would say slightly on the looser side.. Hope that helps..

Posted on 9 years ago
#21
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It never ceases to amaze me how different rooms affect your sound, I've just done my gig and the Canopus that I put on weren't half as good as when I tried them in the house, they seemed slightly mushy, maybe I should put the originals back on? Having said all this nothing could have sounded good in there - big room, wood floor lots of people etc. also I do like the Acrolite but they haven't got enough volume for very loud unmiked gigs. I would have used my supra but can never get a crisp enough snare responce. I was unlucky with that one. I'm going to have to try and sell that.

I love the jazz era
Posted on 9 years ago
#22
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Then again it's probably just me being me, it probably sounded amazing.

I love the jazz era
Posted on 9 years ago
#23
Posts: 1427 Threads: 66
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I'm a fan of puresounds as well but I have early metal end script logo snares on mine.

But what I wanted to point out is you need to let the New heads settle in well too. Brand new heads always sound boxy for the first couple days. Play the crap out of it and then do a full re-tune. Snare head tuned to A440 and top head to desired flavor. I set my snares just shy of buzzing so they don't choke the head when you lay into to it with a rim bending rim shot.

Works for me!

Cobalt Blue Yamaha Recording Custom 20b-22b-8-10-12-13-15-16f-18f
Red Ripple '70's Yamaha D-20 20b-12-14f
Piano Black Yamaha Recording Custom Be-Bop kit 18b-10-14f
Snares:
Yamaha COS SDM5; Yamaha Cobalt Blue RC 5-1/2x14; Gretsch round badge WMP; 1972 Ludwig Acrolite; 1978 Ludwig Super Sensitive; Cobalt Blue one-off Montineri; Yamaha Musashi 6.5X13 Oak; cheap 3.5X13 brass piccolo
Posted on 9 years ago
#24
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I'll chime in and say that I have Puresound Blasters on my Acrolite and it sounds fantastic.

Haven't tried vintage wires or anything else, so I can't compare, but once I heard it with the Puresounds, there was no need to experiment further.

-Erik
______
Early '70's Slingerland New Rock #50 in blue agate (20-16-13-12)
Late '50's WFL Swingster/Barrett Deems in black/gold Duco
'70's Slingerland Gene Krupa Sound King COB
early '70's Ludwig Acrolite
'80's Ludwig Rocker II 6 1/2" snare
Rogers Supreme Big "R" hi hat

Posted on 9 years ago
#25
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From Starship Krupa

I'll chime in and say that I have Puresound Blasters on my Acrolite and it sounds fantastic.Haven't tried vintage wires or anything else, so I can't compare, but once I heard it with the Puresounds, there was no need to experiment further.

Hi,

Can you please let me know which ones exactly?

Thanks

Posted on 9 years ago
#26
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From Starship Krupa

I'll chime in and say that I have Puresound Blasters on my Acrolite and it sounds fantastic.Haven't tried vintage wires or anything else, so I can't compare, but once I heard it with the Puresounds, there was no need to experiment further.

Sorry,

Missed the word Blasters

Got it

Thanks

Posted on 9 years ago
#27
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Dunno about the blasters never tried em, but I've used the 16 stand custom a lot and they are my favourite model/ wire right now. I always like 16 strand instead of 20 anyway. it's just the right amount of snare responce, and it doesn't interfere with the tone and resonance of the drum. More tone, and I hate harsh sounding 'tinny' snares of which these definately are not. In fact I'm going to do all I can to put some on the Acro- which I haven't done before.

I love the jazz era
Posted on 9 years ago
#28
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Hi everybody!!

I have had at least 30 Acros during my "drummer" life (well.... beater or something)

NO ONE sounds bad to me....

Even those with horribles heads or twisted wires.

Just a little bit of T.L.C / Tuning and Muffling and you got a real workhorse there!!

Being more specific, I guess I.M.H.O., there are some "optimal" combination, regarding Acro type/age.

It's not the same a pre-serial one, a 60's one, a Blackrolite, etc etc.

A well suit for everyone could be Ludwig Medium Coated or Remo Ambassador on top, Remo diplomat as a reso head and some puresound wires (any of them)


Ludwig '67 Classic B.D.P.
Ludwig '79 Classic Pro-beat
C. A. F. '72 New Sonic "The Argentinean Ludwig"
A bunch of Ludwig snares..... + Dyna & P.Tone.

and always trying to recover some orphan drums!!
Posted on 9 years ago
#29
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I'd be interested to hear about these differences between the different eras of acrolites and different combinations etc to use.

I love the jazz era
Posted on 9 years ago
#30
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