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anally retentive about your drums Last viewed: 32 seconds ago

Posts: 2264 Threads: 83
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Not on point exactly, but I used to be on the "matching snare drum" bandwagon. Wood matching snare or else.

That is until I was introduced to am Acrolite (Keystone, that is..)

The greatest gift you can give your family and the world is a healthy you. - Joyce Meyer
Posted on 10 years ago
#21
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I also have my little quirks and habits as we all do but i place my snare and tom logos over the internal damper so i always know where that damper is.Also i use a nylon tip stick on my right hand and a wood tip stick on my left as i like the sound of nylon on the cymbals and wood on the back beats.Tear down is cymbals first,hardware, then drums and when i get to my snare i always do a fast single stroke roll on it with my hands just before taking it off the stand.Does these oddities qualify me to be at the head of the "strange list"?

Wayne

1967 Rogers Cleveland Champagne Sparkle
20,16,13,13.
1967/68 Rogers Dayton Champagne Sparkle
20,16,13,13.
1966 Rogers cob 7 Line Dynasonic Snare.
1967 Rogers "Humberto Morales" Timbales.
1980 Ludwig B/O badge 14x 6.5 Black Beauty Snare.
1980 Ludwig B/O badge Red Cortex
22,22,18,16,15,14,13.
1988 Sonor "Horst Link" HLD 590 14x8 Bronze Snare
Posted on 10 years ago
#22
Posts: 5550 Threads: 576
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gezz I thought i was the only weird one LOL

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 10 years ago
#23
Posts: 3467 Threads: 116
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(Does these oddities qualify me to be at the head of the "strange list"?)

Wayne... Lots of strange stuff here... But I think the single stroke roll puts you right up there... :)

Cheers

John

'77 Slingerland 51N,Super Rock 24,18,14,13.. COW 8,10 Concert toms
'69 Slingerland Hollywood Ace
'75 Rogers Dynasonic 6.5 x 14, 10 lug COB
'77-78 Slingerland 6.5 x 14, 10 lug COB
'78-79 Slingerland 5 1/4 x14 8 lug COB
'79 Biman 5 1/4, Acrolite
'82 Slingerland 5 1/4 x 14. Festival COS
'84 Tama MasterCraft Superstar 6.5 x 14, 10 lug Rosewood
'98 Slingerland (Music YO) 6" 10 Lug Maple.. NOS
Zildjian, Sabian , UFIP & Paiste mix.
Posted on 10 years ago
#24
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Ah man, this is home for me. My two floor toms have to be perfectly flat and even. Cymbals too. Playing live every thing has to be right. And I mean to the inch. I am extremely particular about tuning. I hate flat sounding drums. I can't tell you how many times I've seen other kits where the heads will have a slight wrinkle or something loose. Sometimes you won't even see it. But you can sure hear it. Thwap! That hideous sound of loose plastic. And for the real odd ball....Every time I take a drum head off, I stick my head in the drum to smell the wood. It usually wafts as the head comes off, but I want that smell of rich wood. Even my 4 year old son who always has to help me does it. Not to all drums though.lol. I took a head off of a recent vistalite purchase and wreaked like ass. I'll Never do It to a plastic drum again.

Posted on 10 years ago
#25
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It is simply ergonomics to me. my set up is to where I can play it with my eyes closed and not miss whatever it is I am going to hit, my ride cymbal is a 24'' right over the bass drum, It sits lower than my crash cymbals do.

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 10 years ago
#26
Posts: 5550 Threads: 576
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From vintagemore2000

It is simply ergonomics to me. my set up is to where I can play it with my eyes closed and not miss whatever it is I am going to hit, my ride cymbal is a 24'' right over the bass drum, It sits lower than my crash cymbals do.

thats pretty much the way of it for me too

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 10 years ago
#27
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crash cymbal(s) at eye level while sitting... logos over badges... i prefer my floor tom to be just about equal height to my snare (though with my club date kit it is impossible..). hmm...

oh.. and I find that I "hum" involuntarily while playing sometimes.

Anyone else do this?

-Justin

"People might look at you a bit funny, but it's okay. Artists are allowed to be a bit different."- Bob Ross

"After silence, that which comes closest to expressing the inexpressible is music..." - Aldous Huxley
Posted on 10 years ago
#28
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From Brewkowski

oh.. and I find that I "hum" involuntarily while playing sometimes. Anyone else do this?

Yes!...and I think we should both work on it as it has to affect breathing. Breathing is one thing I never concentrated on, to my detriment I feel.

Definitely logos over badges, feet splayed properly as in natural sitting position, everything where it should be. OTOH I pride myself on being able to [mostly] sit down and play at any set without adjustment...though some wacky setups do make this difficult.

Mitch

Posted on 10 years ago
#29
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> I "hum"

I used to sing to myself along with the singer, but I only did it so that I would know where we were in the song! Not coo-coo at all. Humming, or singing along helps to keep me focused so I don't get lost and cause a train-wreck. I've had embarrassing moments where I ended a song too soon, or when my mind wanders and I'll lose track of exactly what part of the number we are in forcing me to have to wing it. Singing along helps!

John

Too many great drums to list here!

http://www.walbergandauge.com/VintageVenue.htm
Posted on 10 years ago
#30
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