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anally retentive about your drums Last viewed: 1 hour ago

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That's a sweet Slingerland COW. I don't really need another Slingerland kit, but COW is high on my list if a nice one becomes available.

My gloves aren't white, just the cheap brown ones you can get in 10-packs at Home Depot.

I don't consider this OCD, but I eschew assistance in tearing down unless I need to vacate the stage immediately. Otherwise, I have a system in place that has been foolproof—so far—in assuring that nothing gets left behind. I also like to take my time in tearing down: That helps to ensure that everything is done correctly, but I primarily like to go slow to help relax.

By the same token, I usually like to get to gigs much earlier than necessary because I HATE hurried setups. It's not like I'm using rulers and calipers, but my preferred MO is to have at least 45 minutes between my final adjustment and downbeat.

Al

9x Slingerland New Rock 50N 12-13-16-22 with 170 (Super S-O-M) holder
• 1979 Oak
• 1978 Blakrome + 6.5x14 TDR SD
• 1977 Black Diamond Pearl + 5x14 SD (gold badge, Rapid strainer)
• 1976 Black Cordova
• 1975 Silver Sparkle + 5x14 SD (Rapid strainer)
• 1974 Chrome + 5x14 COB TDR and 6.5x14 COW Zoomatic SDs
• 1973 Purple Sparkle
• 1973 Phantom (clear)
• 1971 Walnut (gold badges) + 5x14 TDR SD
1x Rogers Powertone Londoner V 12-13-16-22
• 1972 Butcher Block + 1979 big R Dynasonic SD
Posted on 10 years ago
#41
Posts: 2264 Threads: 83
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From mchair303

Boy, I can't count the habits and practices in this thread that I also have adopted over the years, but very, very few of these habits everyone describes could be classified as OCD. All these habits regarding setup, breakdown, cymbal placement, pedal location, etc, have a practicality to them in that they contribute to either playing ease or efficiency. Such precision is essential in many occupations (ask any surgeon, engineer or pilot) and isn't considered OCD. OCD practices are impractical compulsions that serve no real purpose, like turning the lock on your front door exactly three times to ensure it's locked or, yes E.D., feeling compelled to smell the inside of your drums every time you take a head off. My wife has mild OCD and I've learned to live with a lot of annoying, unnecessary practices, but then again, she's learned to live with a lot of "unnecessary" drums in the basement.:DAnd as far as the white gloves go, I thought a close friend was just a little bit "obsessive" when I saw him set up and break down his all-original COW Slingerland set wearing disposable cotton gloves. I posted a picture of this set a while ago (see below); it looks just like it did when he purchased it new in the 70's, so I guess there's some validity to a little obsession.[Attachment: 77681] [Attachment: 77682]Mike

Wow, the white kid glove care pays off. Those are super!

The greatest gift you can give your family and the world is a healthy you. - Joyce Meyer
Posted on 10 years ago
#42
Posts: 1345 Threads: 175
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I'd never bother about gloves. I always maul my drums and cymbals and think nothing of it. I don't think fingerprints count as damage. I'm obviously very careful when handling drums, but wearing gloves would be a bit OTT on the TLC for me. ;) Kudos though. If it works for you then more power to ya. I'm diggin' it :)

Posted on 10 years ago
#43
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sweaty fingerprints on chrome finish and stainless steel finish are going to damage the chrome finish and leave a lot of cleaning work on stainless steel. Especially on chrome finish stands and my cymbals, so the cotton glove idea evolved for me. It is just simple maintenance for me.

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 10 years ago
#44
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From Purdie Shuffle

> I "hum"I used to sing to myself along with the singer, but I only did it so that I would know where we were in the song! Not coo-coo at all. Humming, or singing along helps to keep me focused so I don't get lost and cause a train-wreck. I've had embarrassing moments where I ended a song too soon, or when my mind wanders and I'll lose track of exactly what part of the number we are in forcing me to have to wing it. Singing along helps!John

When I do it, I don't realize that I'm humming unless I catch myself.. Then I think, "What the heck am I doing that for?" It won't be to the melody of the song... just a straight, random "hum".. crazy!

-Justin

"People might look at you a bit funny, but it's okay. Artists are allowed to be a bit different."- Bob Ross

"After silence, that which comes closest to expressing the inexpressible is music..." - Aldous Huxley
Posted on 10 years ago
#45
Posts: 5356 Threads: 87
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I keep my stuff in nice shape with regular cleaning and inspection. I also line up the head logos with badges or at 12:00 depending on the drum. Tuning is more of a pet peeve with me than anything else. Drives me crazy when they don't sound "just right" to me. I have sometimes spent hours to days tuning some drums until I'm happy with them. Mainly with new drums (vintage of course) I've never played before. Once I know the drums tuning sweet spots it's easy to replicate. But a learing curve until then. With drum sticks I do mark the one I use in my right hand. It's just a certain balance and comfort I can feel playing with a new pair of sticks. Strange maybe.... but so am I. :D

Glenn.

Not a guru just havin fun with some old dusty drums.
Posted on 10 years ago
#46
Posts: 3467 Threads: 116
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Cotton gloves are great for when you are cleaning your chrome bits, easier on your hands as well, I use them whilst polishing and do keep them on for reassembly of the kit.. never used them other than that though.

I think that if you have cleaned enough kits you do learn to handle them a little more thoughtfully and try to keep them clean as long as possible.

Cheers

John

'77 Slingerland 51N,Super Rock 24,18,14,13.. COW 8,10 Concert toms
'69 Slingerland Hollywood Ace
'75 Rogers Dynasonic 6.5 x 14, 10 lug COB
'77-78 Slingerland 6.5 x 14, 10 lug COB
'78-79 Slingerland 5 1/4 x14 8 lug COB
'79 Biman 5 1/4, Acrolite
'82 Slingerland 5 1/4 x 14. Festival COS
'84 Tama MasterCraft Superstar 6.5 x 14, 10 lug Rosewood
'98 Slingerland (Music YO) 6" 10 Lug Maple.. NOS
Zildjian, Sabian , UFIP & Paiste mix.
Posted on 10 years ago
#47
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I have OCD about my drums, I actually suffer from this type of thing anyway....ha...as I've got older it gets worse- before a gig my cymbals have to be within fractions of an inch just the right height etc. I adjust numerous times, it's probably silly really, and if my snare doesn't sound right because of a particular room....... Etc, playing can be hard enough anyway without to much of this.

I love the jazz era
Posted on 10 years ago
#48
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I do a lot of adjusting for ergonomics.

I also put blue painters' tape markers down so that if something gets bumped or I want to pull a drum out for tuning, I can put it back just so.

Also use the setup trick of playing with my eyes closed.

Pretty involved with tuning, to the point where I check it with iDrumTune and record the lug pitches in a book for reproducibility.

-Erik
______
Early '70's Slingerland New Rock #50 in blue agate (20-16-13-12)
Late '50's WFL Swingster/Barrett Deems in black/gold Duco
'70's Slingerland Gene Krupa Sound King COB
early '70's Ludwig Acrolite
'80's Ludwig Rocker II 6 1/2" snare
Rogers Supreme Big "R" hi hat

Posted on 10 years ago
#49
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All of the above just sounds like a bunch of guys who really love their drums and care about keeping them in good condition for playing. Nothing wrong with that. It all only shows that you care. :p

John

Too many great drums to list here!

http://www.walbergandauge.com/VintageVenue.htm
Posted on 10 years ago
#50
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